Duchess Sophie has constantly confirmed that she has mastered conventional royal class, however she’s additionally fashion-savvy sufficient to place a contemporary spin on her stylish type with out dropping that undeniably royal look.
With regards to Royal Ascot, nobody brings out fairly as many unbelievable outfits because the Duchess of Edinburgh, and on this royal style throwback, we have unearthed certainly one of her finest race-day appears that was years forward of the curve.
For Ascot in 2004, the 60-year-old introduced out a good looking maxi coatdress in a beautiful impartial hue someplace between beige and butter yellow – mushy, however a little bit extra muted than the brilliant color trending in summer season 2025.
Duchess Sophie paired her coat costume with a beautiful cream hat, which featured a press release black and cream adornment, in addition to a gold pearl-style necklace.
The mother-of-two’s endlessly timeless type with trendy twists implies that her outfits all the time age like high quality wine – and this unearthed Royal Ascot look is yet one more instance of Duchess Sophie’s dressing forward of traits.
Duchess Sophie’s Royal Ascot appears
This yr, the Duchess of Edinburgh has worn essentially the most unbelievable clothes for Royal Ascot, and every is simply as stunning because the final.
On the primary day, making an look alongside Ascot companion Fiona Howden, she opted for the ‘Keres’ costume from Suzannah London.
The midi costume, produced from white lace, is a cultured piece adorned throughout with small embroidered flowers, and includes a excessive neckline and sheer sleeves.
Rounding off the ensemble, she accessorised with a pair of refined diamond stud earrings and a lightweight tan purse.
Duchess Sophie wore the identical costume final yr to Royal Ascot, on the second day, which simply so occurred to coincide together with her and Prince Edward‘s twenty fifth marriage ceremony anniversary.
For day two this yr, she opted for an additional costume from Suzannah London, bringing out a bespoke adaptation of the designer’s ‘Trixie’ shirt costume, which includes a assertion sample designed in collaboration with French artist and photographer Rachel Levy.
With a cinched waist and pleated skirt, the costume, which simply grazed her angles, struck the proper steadiness between class and modernity.
On day three, she wore the ‘Veronique’ costume from the identical designer, a floor-length silk robe with one other floral sample designed with Rachel Levy.
With a bridal white base and vibrant inexperienced clover design spanning from neckline to hem, the costume was vibrant however stylish, that includes a conventional silhouette, with smocking on the empire and cuffs.